{"id":133,"date":"2023-11-30T14:39:44","date_gmt":"2023-11-30T14:39:44","guid":{"rendered":"https:\/\/caedra.com\/?page_id=133"},"modified":"2023-11-30T16:23:51","modified_gmt":"2023-11-30T16:23:51","slug":"journalism-2","status":"publish","type":"page","link":"https:\/\/caedra.com\/index.php\/journalism-2\/","title":{"rendered":"Journalism"},"content":{"rendered":"\n<p class=\"has-medium-font-size\">I review dance and performing arts, profile emerging and iconic talent, and explore the intersection of arts, politics, and culture. I&#8217;m currently a regular contributor to the <em><a href=\"https:\/\/observer.com\/author\/caedra-scott-flaherty\/\">Observer<\/a><\/em>, <em>The Brooklyn Rail<\/em>, and <em>Pointe Magazine<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Recent Work<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Reviews<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/observer.com\/2023\/11\/review-in-the-eye-of-a-dream-sokolow-theater-dance\/\">Sokolow\u2019s Beautiful Realism Is Reborn in ST\/DE\u2019s \u2018In the Eye of a Dream<\/a> looks at two iconic works of contemporary dance, reborn at Theatrelab. <\/li>\n\n\n\n<li><a href=\"https:\/\/observer.com\/2023\/09\/sprang-rest-within-the-wake-review\/\">Experiencing James Allister Sprang\u2019s \u2018Rest Within the Wake\u2019<\/a> reviews an entirely original audio experience at the Baryshnikov Arts Center.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Profiles <\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/observer.com\/2023\/07\/mark-travis-rivera-on-breaking-barriers-in-dance\/\">Mark Travis Rivera On Breaking Barriers in Dance<\/a> explores the innovative process they bring to Ballet Hisp\u00e1nico. <\/li>\n\n\n\n<li><a href=\"https:\/\/observer.com\/2023\/11\/choreographer-lauren-lovettes-latest-asks-whats-going-on-with-the-men\/\">Choreographer Lauren Lovette\u2019s Latest Asks \u2018What\u2019s Going on With the Men?\u2019<\/a> looks at Lovette\u2019s new work as choreographer for the Paul Taylor Dance Company.&nbsp;<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Features<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/brooklynrail.org\/2023\/11\/dance\/October-11-19482023\">October 11, 1948\/2023<\/a> looks at the history of the New York City Ballet for its 75th Anniversary.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>I review dance and performing arts, profile emerging and iconic talent, and explore the intersection of arts, politics, and culture. I&#8217;m currently a regular contributor to the Observer, The Brooklyn Rail, and Pointe Magazine. Recent Work Reviews Profiles Features<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-133","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Journalism -<\/title>\n<meta name=\"description\" content=\"Since 2009, Caedra Scott-Flaherty has been reviewing dance and performing arts, profiling emerging and iconic talent, and exploring the intersection of arts, politics, and culture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/caedra.com\/index.php\/journalism-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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